沉浸理念下的档案信息服务研究

摘要

虚拟现实技术的发展引起了档案机构对沉浸理念的关注。基于符号工具的不同,可以将沉浸区分为知觉沉浸和意识沉浸两种类型。“梅·马西”藏品展览项目作为意识沉浸的典型案例,表现出优化物理环境、项目成本和参观数据分析等方面的优势;而“展开地图”档案展览项目则作为知觉沉浸的典型代表,表现出物理空间、叙事路线和用户体验等方便的优势。通过案例分析,发现沉浸理念下的档案信息服务不仅与技术有关,还与艺术有关。此外,在档案教育领域的实现效果上,知觉沉浸与意识沉浸在师生关注度、知识创新吸收和学习集中度等方面各有优劣。

Abstract

：The development of virtual reality technology has aroused the attention of archival institutions on the concept of "immersion". Based on the difference symbolic tools, "immersion" can be divided into two types: perceptual immersion and consciousness immersion. As a typical case of consciousness immersion, the May Massee Collection archival exhibition shows its advantages in optimizing the physical environment, project costs, and analysis of visit data, etc. As a typical representative of perceptual immersion, the Unfolding the Map archival exhibition presents the advantages of physical space, narrative routes and user experience. Through case analysis, it is concluded that the archival information service under the concept of immersion is not only related to technology, but also related to art. In addition, in terms of the effect of archival education, perceptual immersion and consciousness immersion have their own advantages and disadvantages in aspects of teachers' and students' attention, knowledge innovation absorption and learning concentration.

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